Afshar Mohajer, K., & Baheshti, T. (2015). The process of composition in Iranian paintings. Mirror of Heritage, 57, 9–32.
Afshar Mohajer, K., & Beheshti, T. (2015). Evidence of a grid system in the composition of the illustrations of the manuscript copy of Baysanghari's Shahnameh. Journal of Fine Arts, 4, 39–47.
Bahramian, R., Hashemi, H., Zarrajabad, A. Z., & Paydarfard, A. (2016). Recognizing the golden proportions in the paintings of Kamaluddin Behzad (Case study: The painting of the construction of the Jame Mosque in Samarkand). Islamic Art Journal, 10, 16–31.
Critchlow, K. (2011). Islamic patterns: An analytical and cosmological approach (Azarkar, H., Trans.). Tehran: Hekmat.
Canby, R. S. (2012). Persian painting (Hosseini, M., Trans.). Tehran: University of Art Press.
Gary, B. (1990). Iranian painting (Sherveh, A., Trans.). Tehran: Asre-Jadid Publication.
Hatami, S. (2021). Nahan bar Ayan: Image engineering in Iranian painting - 8th to 11th century A.H. Tehran: Museum of Contemporary Arts.
Haftmann, W. (2006). Paul Klee: Wege bildnerischen Denkens (Vaziri Moghaddam, M., Trans.). Tehran: Soroush.
Kapes, G. (2013). The language of image (Mohajer, F., Trans.). Tehran: Soroush.
Malek-Payin, A., & Chang Zhang, H. (2019). Hidden geometry in Herat School painting: With emphasis on the image of Alexander's army. Negareh Journal, 52, 5–24.
Necipoğlu, G. (2011). Geometry and ornament in Islamic architecture (Ghayoumi Bidhendi, M., Trans.). Tehran: Rozaneh Press.
Nazarli, M. (2011). Dva mira vostochnoĭ miniatiury (Ezati, A. A., Trans.). Tehran: Academy of Arts.
Nezami, N. al-Din E. (2006). Khamseh Nezami. Tehran: Hermes.
Qazizadeh, K. (2003). Hidden geometry in the paintings of Kamal al-Din Behzad. Khial Journal, 6, 4–30.
Zarei Farsani, E., & Ghasemi, M. (2017). The structure of Iranian curvilinear drawings on architectural grounds. Research in Arts and Humanities, 4, 75–84.